Ghost dances By Christopher Bruce Essay

Ghost bounds was created in 1981. The action was choreographed by Christopher Bruce. The piece explores the tender-hearted rights of the people of chille and the depression that the lack of human rights ca apply. The inspiration of the leaping came from a letter that Christopher received from a leave of a Chilean folk singer, who was murdered. Christopher felt sympathetic towards the letter, and after being asked to do a production for the Chilean Human Rights Committee, and was given a lot of South American music with which he fell in love with. The dance as well as explores the cross over from dying to each heaven or hell. It takes place in limbo where re-enactments of citizens lives ar performed before crossing over. The dance uses traditional folk movement as well as other snippets of genres such as Contemporary and Ballet. passim the public presentation lighting is used to accompany the movement to create true atmospheres , for showcase in the beginning the 3 b unr ivaledy dancers atomic number 18 development quite strong eerie movement which represents the awakening of them, the lighting is a light blue which reflects against the backcloth and creates a moonlight which complements the movements. In severalise to this, when the dead people enter the stage the lighting becomes less Cimmerian and gloomy and more uplifting and bright, which then allows the audience to polariate among the characters, this is called semiotics. There are 3 different kines of people among the civilians, the upper class, shopping centre class and lower class. You can establish this by the costumes they are wearing. For example the upper class are wearing suits and fancy dresses whereas the lower class are wearing torn and damaged clothes, this shows social status yet after death. The dynamic content of Ghost dances is very varied, some movements are soft and floaty such as the trio between the three female dancers, and others are more striking and large for e xample when the wasted dancers take hold of the civilians and control them, this could represent the taking of their souls and the crossing over.It also shows a disruption to their community and reflects the idea of murder and terrible things natural event to the poorer, common people such as fathers taken away from their families and prospect or thrown away in cells and tortured to death. When they all dance in unison itshows a community like culture and common life. When the community is first introduced they all enter in a imagine like state as to show that they are quite unaware for what is about to happen, this draws in the attention of the audience straight away. The fact that the dance ends in the repetition of this shows that they have all moved on and the skeletal dancers repeat the beginning phrase to show the ending of it all and the surmise of it to start over with a new lot of civilians.To conclude Christopher used many aspects to get across his interpretation o n the tragedies that were occurring in chille. maven of the biggest was his use of movement and structure of the piece. The structure of the dance allowed the introduction of the different classes of people and the effect it had on them. The use of costume enabled the audience to implement the full extent of the movement and the style of the dance. In my opinion I think the choreography led me to interpret the performance as a crossing over from one world to another and using the snippets of their lives to put across the horror and torture of the civilians. I found myself drawn into the performance and felt a connection to the meaning behind the movement. The structure and proceeds matter helped convey the meaning so that it was easy to follow notwithstanding didnt force me to interpret the dance in just one specific way, but allowed me to create a story and plot of my own.